Okay, what's your point?...
I could go on like this for several more hours.
I found one who ties RobbieHere's an exercise for us: What "OHW" had the most Top 10 / Top 40 songs in the Billboard Hot 100?
Simple Minds only had 3? Crazy, I thought a few more would have been in range.I found one who ties Robbie
Five top 40s
Outfield
Three top 40s
A Flock Of Seagulls
Animotion
Cutting Crew
Information Society
Knack
Simple Minds
My mistake!Simple Minds only had 3? Crazy, I thought a few more would have been in range.
"My Sharona"Knack had 3? I thought only 2.
I have never heard or heard of "Baby Talks Dirty"."My Sharona"
"Good Girls Don't"
"Baby Talks Dirty"
I'm not at home right now, so I can't pull out my copy of Joel Whitburn's Billboard Top 40 book and confirm. But I'm pretty sure Wikipedia is wrong.My mistake!
They had five!
"Don't You (Forget About Me)"
"Alive and Kicking"
"Sanctify Yourself"
"All the Things She Said"
"See the Lights"
Wiki says six, but Billboard says five. The song in question is "Belfast Child"
Not to me. She also had a song called "Man Child" that got some airplay after "Kisses on the Wind"; I think it made the Top 40. "Kisses on the Wind" should be in the regular '80s rotation.Is she subjectively a OHW? Vote "Yeyeah" or "Neneh"
Neneh Cherry
#3 Buffalo Stance (1989)
#8 Kisses On The Wind (1989)
#43 Buddy X (1993)
I say yeyeah, she's a one-hit wonder subjectively.
Agreed.Calling Simple Minds a OHW is a greater crime than calling Robbie Nevil one
That is the proper and most appropriate response to that question."The Villa Angela also provides a nifty rejoinder to any U.S. journalist who rings Kerr up and asks him what it feels like to be a one-hit wonder in America: “I’m sorry, I’m sitting by the pool at my remarkable hotel in one of the most gorgeous places on the entire planet and the reception’s not that great here on top of this stunning hillside, can you repeat the question?”
His point is that thisOkay, what's your point?
is not true in many cases. His point is that hundreds of artists are, indeed, true OHWs. In all of his examples, it's not just a matter of people forgetting their lesser hits over time; it's that there aren't any lesser hits. That's a worthwhile thing to be aware of.Most artists don't just have one hit then disappear. They try multiple times to regain past glory. And some of those tries will show up on some chart somewhere or somebody's memory. There would almost never be a true one hit wonder by that definition.
His point is that this
is not true in many cases. His point is that hundreds of artists are, indeed, true OHWs. In all of his examples, it's not just a matter of people forgetting their lesser hits over time; it's that there aren't any lesser hits. That's a worthwhile thing to be aware of.
At this point, I think everybody has their own definition.So you agree with my definition that the label "OHW" belongs to people who did one big thing and disappeared and *not* people who have resumes full of minor hits or works outside of the narrow playlists of radio, right?